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Sales Rank: #3522414 in Books
Published on: 1978-12
Original language: English
Number of items: 1
Binding: Paperback
431 pages

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The JFC Swing Tutorial is back, fully revised and updated to include the latest revisions to the JFC Swing API and the Java™ 2 platform. In this book, authors and Java experts Kathy Walrath, Mary Campione, Alison Huml, and Sharon Zakhour—working closely with the Sun Microsystems Swing team—explore the ins and outs of creating GUIs with Swing components.

This task-oriented, example-driven tutorial allows you to create user interfaces that work without change on multiple platforms, appearing and performing as well as or better than native interfaces. Leveraging the full power of the latest edition of the Java 2 platform, the authors bring the art of GUI creation to life with content new to this edition. This includes an easy-to-use tabbed reference section, new introductory chapters, and coverage of newer features such as JSpinner, JFormattedTextField, JProgressBar, mouse wheel support, the rearchitected focus subsystem, and improved support for drag and drop.

Coverage includes:

Introductory material for developers getting started with Swing, including sections on basic components such as text fields, labels, and buttons, as well as on using images
The latest advice from the Swing team about thread safety
Advanced Swing material, including changing key bindings, manipulating the focus, using data models, and adding painting code that uses the powerful Java 2D™ API
How-to discussions on using individual components and containers, including advanced components such as tables, trees, and text editors
Over 150 complete, working code examples

For the novice or experienced Java developer looking to create robust, powerful, and visually stunning GUIs, The JFC Swing Tutorial, Second Edition, is an indispensable tutorial and reference.

Sales Rank: #1099259 in Books
Published on: 2004-03-05
Original language: English
Number of items: 1
Dimensions: 9.10" h x 2.10" w x 7.30" l, 2.60 pounds
Binding: Paperback
784 pages

Amazon.com Review
With the arrival of Sun's Swing/JFC classes, Java developers can create user interfaces that look great and perform just as well as "native" interfaces. The JFC Swing Tutorial: A Guide to Constructing GUIs provides a hard copy of Sun's popular online tutorial for Swing/JFC development. Its numerous code examples and clear presentation style make this title a fine choice for mastering the ins and outs of today's Swing.

Owing to its Web heritage, digestibility is perhaps this book's most notable feature. Short sections on virtually every topic in Swing programming help bring the reader up to speed with this UI library. Early sections look at getting started and the organization of classes in both applets and applications, as well as useful high-level classes like frames and scroll panes. When it comes to such basic Swing components as text, label, and image controls, Swing beginners will appreciate the concise description of each component along with necessary APIs. More advanced material, such as optimizing repainting of Swing controls and techniques for more efficient tables, will be useful to any Swing developer.

Most computer books use either code excerpts or full-length programs. For the main text of The JFC Swing Tutorial, short code examples are the norm, but with over 300 pages of complete programs in an appendix, this book will also please those who appreciate more complete examples.

Efficient and thorough, this book succeeds in making JFC/Swing enjoyable while imparting a good deal of necessary information. Armed with this book, any intermediate to advanced Java programmer can make sense of today's Swing with a minimum of effort. --Richard Dragan

Topics covered: JFC basics, compiling and running JFC programs, JFC applets and applications, pluggable look-and-feel options, layout managers, event listeners and event handling, graphics, images, animation and painting, threads, JComponent, frames and top-level containers, basic and advanced JFC components, tables, trees, models and custom editors, accessibility APIs, and converting code from AWT to JFC.

From the Inside Flap

This volume of The Java(TM) Tutorial tells you how to write GUIs that use the Java(TM) Foundation Classes (JFC) "Swing" components. You can use the information in this book both with the Java 2 platform (Standard Edition, v 1.2 and compatible versions) and with JDK(TM) 1.1 (with additional JFC 1.1 libraries).

The online form of The Java(TM) Tutorial has covered the Swing components since their first public early access release--Swing 0.2, which came out in July, 1997. Through the many early access releases, the Tutorial kept pace with API changes and additions. Readers and reviewers kept us on our toes, helping us improve each page tremendously. However, readers often requested a printed version of the online material. This book is that version. About This Book's Structure

The hyperlinked origins of this book may be evident as you read it. For instance, underlined phrases throughout this book mimic online links. A link to material within this book is followed by the appropriate page number. A link to material outside this book, such as to the JDK API documentation, is accompanied by a footnote that contains a URL. Other evidence of this book's online origin can be found on the first page of each lesson and major section, which provides the URL where the lesson or section can be found in the online Tutorial.

You might be wondering why we use the terms "trails" and "lessons." We know that people don't learn linearly. People learn by posing a problem, solving it, uncovering other problems, solving them, and learning information as the need arises. Our original vision for the online Tutorial was to encourage and enable this type of thinking and learning. We envisioned a mountain of ski trails, where at any junction, a reader could choose the most interesting or appropriate path at that time. But we also needed some sort of structure and organization, so we created a two-tiered hierarchy: trails at the top level and lessons within them. This book consists of the largest Tutorial trail, Creating a GUI with JFC/Swing. Acknowledgments

We would like to thank every member of the Swing project. They're a great team of people who do excellent work and are fun to be around. For help with general technical issues, we depended on two people. Hans Muller, the Swing project lead, provided not only reviews of individual sections, but also gave sound advice and help with overall issues. Amy Fowler reviewed individual sections and, as someone with broad knowledge of both the AWT and Swing, helped us to correctly describe such architectural features as graphics support.

Reviewers of individual how-to sections include Philip Milne, who gave masterful reviews of the table and list portions and supplied the sorter example. Georges Saab reviewed the menu- and action-related discussions. Scott Violet provided invaluable help with the text and tree pages. Jeff Dinkins reviewed several sections and also provided quality-of-life enhancements such as tile samples and miniature phone lists.

Earl Johnson and Peter Korn, from the accessibility team, gently prodded us into covering accessibility well. Their demos, coaching, and careful review of the accessibility section helped us improve it greatly.

It's always a pleasure working with Pat Chan, whose early review of this book helped us determine its scope and approach.

Other reviewers and Swing team members that we'd like to thank include Mike Albers, Tim Prinzing, Tom Santos, Steve Wilson, Rich Schiavi, Tom Ball, Jim Graham, and Hania Gajewska. Rick Levenson, the original manager of the Swing project, was very supportive. We look forward to working with the new manager, Howard Rosen.

Alison Huml performed production duties on this book, juggling coursework, paid work, RSI, and a household move. Without her, this book wouldn't exist. She also drew most of the pictures in this book, with the exception of the cartoony ones, which were drawn by Kathy's sweetheart Nathan.

Jennifer Ball helped us at crucial points, doing such tasks as checking API tables and code snippets, and converting graphics examples.

Lisa Friendly, our manager and series editor, gave us the freedom and support necessary to do our work--and enjoy it. Stans Kleijnen and Jon Kannegaard, respectively the director of product engineering and the vice president of the Java platform, also contributed to an atmosphere that let everyone do their best.

We'd also like to thank the team at Addison-Wesley: Mike Hendrickson, Sarah Weaver, Evelyn Pyle, Jacquelyn Young, Marina Lang, and Julie DeBaggis. They've been a pleasure to work with.

Finally, thank you to our readers.

0201433214P04062001

From the Back Cover

Coverage includes:

Introductory material for developers getting started with Swing, including sections on basic components such as text fields, labels, and buttons, as well as on using images
The latest advice from the Swing team about thread safety
Advanced Swing material, including changing key bindings, manipulating the focus, using data models, and adding painting code that uses the powerful Java 2D™ API
How-to discussions on using individual components and containers, including advanced components such as tables, trees, and text editors
Over 150 complete, working code examples

For the novice or experienced Java developer looking to create robust, powerful, and visually stunning GUIs, The JFC Swing Tutorial, Second Edition, is an indispensable tutorial and reference.

Most helpful customer reviews

29 of 30 people found the following review helpful.
A beter Swing "tutor" is hard to find
By Brian Bowman
It is clear to me that tutorial (i.e. an aide to "tutor") is what defines this book's purpose. While I agree with the other reviewer's comments about what this book lacks, I would like to complement the authors on what I believe is the greatest benefit of "The JFC Swing Tutorial". This is it seems that no matter problem I'm having with a particular aspect of Swing, this book gives me a "place to start" (isn't this what a tutor is for?). Yes, there are some gaps in its explanation of the Abstract/Default Table and TableColumn Model classes and some of the Event Handling material is too terse, etc.
However, time and time again, I've been in able to jump into this book "mid-trail" and wind up "on course" for solving a Swing-related problem. Some times the journey leads me to the constituent WEB Pages. Other times it's a trip into a JAVA IDE Debugger and/or a look at the javax.swing class soruce files. In any case this book has been the tutor I needed to learn Swing fundamentals and has led me to discover some advanced Swing features as well.

3 of 3 people found the following review helpful.
Not a good Swing guide
By Amazon Customer
I am extremely disappointed with this book. I thought that since this text was written by some of people responsible for the development of the java language that it would be very reliable. This is not so. There are some simple code errors - I found one in the second example in the text in their description of the GridLayout command. These kinds of errors will cause your code to not compile, and for a new learner makes learning difficult.
Further the code examples are usually incomplete and you will find yourself constantly going back and forth through the text in order to write a complete application. I mean that's good for a Dungeon and Dragon's book but not for an instructive text.
In closing, I will just say that this book is not a good investment for persons trying to become proficient in the art of swing programming.

0 of 0 people found the following review helpful.
Swing Tutorial in book form is worth the read
By John Holme
Well-written introduction to Swing, with lots of sample code. Swing isn't the latest and greatest, but if it's in your technology stack, this book really helps. The Swing tutorial is also available online for free, but if you like the old-fashioned book format, you should consider buying one.

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Minggu, 27 April 2014

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Musician, composer, producer, arranger, and pioneering entrepreneur Quincy Jones has lived large and worked for five decades alongside the superstars of music and entertainment -- including Frank Sinatra, Michael Jackson, Steven Spielberg, Oprah Winfrey, Ray Charles, Will Smith, and dozens of others. Q is his glittering and moving life story, told with the style, passion, and no-holds-barred honesty that are his trademarks.

Quincy Jones grew up poor on the mean streets of Chicago’s South Side, brushing against the law and feeling the pain of his mother’s descent into madness. But when his father moved the family west to Seattle, he took up the trumpet and was literally saved by music. A prodigy, he played backup for Billie Holiday and toured the world with the Lionel Hampton Band before leaving his teens. Soon, though, he found his true calling, inaugurating a career whose highlights have included arranging albums for Frank Sinatra, Ray Charles, Dinah Washington, Sarah Vaughan, and Count Basie; composing the scores of such films as The Pawnbroker, In Cold Blood, In the Heat of the Night, and The Color Purple, and the theme songs for the television shows Ironside, Sanford and Son, and The Cosby Show; producing the bestselling album of all time, Michael Jackson’s Thriller, and the bestselling single “We Are the World”; and producing and arranging his own highly praised albums, including the Grammy Award—winning Back on the Block, a striking blend of jazz, African, urban, gospel, and hip-hop. His musical achievements, in a career that spans every style of American popular music, have yielded an incredible seventy-seven Grammy nominations, and are matched by his record as a pioneering music executive, film and television producer, tireless social activist, and business entrepreneur–one of the most successful black business figures in America. This string of unbroken triumphs in the entertainment industry has been shadowed by a turbulent personal life, a story he shares with eloquence and candor.

Q is an impressive self-portrait by one of the master makers of American culture, a complex, many-faceted man with far more than his share of talents and an unparalleled vision, as well as some entirely human flaws. It also features vivid testimony from key witnesses to his journey–family, friends, and musical and business associates. His life encompasses an astonishing cast of show business giants, and provides the raw material for one of the great African American success stories of this century.

Sales Rank: #142833 in Books
Published on: 2001-10-09
Released on: 2001-10-09
Original language: English
Number of items: 1
Dimensions: 9.53" h x 1.50" w x 6.40" l,
Binding: Hardcover
416 pages

Amazon.com Review
He reached an apogee of fame in the mid-1980s as the producer-arranger of Michael Jackson's blockbuster album Thriller and the charity single "We Are the World," but Quincy Jones has been a force in American music since he was a teenager. He swung hard enough to play with beboppers like Dizzy Gillespie; he studied composition with the legendary Nadia Boulanger; he scored dozens of films and TV shows; he arranged and/or produced albums for everyone from Frank Sinatra to Leslie Gore, and rappers like Melle Mel don't disdain the old man either. Looking back at age 68 in a good-natured autobiography supplemented with brief chapters by such friends as Ray Charles and ex-wife Peggy Lipton, Jones asserts, "I've been driven all my life by a spirit of adventure and a criminal level of optimism." Given his beginnings, growing up poor in Chicago and Seattle with a mentally ill mother lurking in the background, that's quite an achievement. Jones never stood still long enough to let sorrow catch him, and though his treatment of his personal life is standard Hollywood glib ("Though Nastassja [Kinski]'s and my relationship as a couple was not destined to last, she is a great friend"), his prose catches fire when it touches on music: Dinah Washington "could take the melody in her hand, hold it like an egg, crack it open, fry it, let it sizzle, reconstruct it, put the egg back in the box and back in the refrigerator, and you would've still understood every single syllable." His furious energy may have been fueled by personal demons, but his joyous sweep through a half century of American pop convinces you that Jones was right to keep moving: "Nothing is ever wrong if it's going someplace," he asserts. "Music is about ever-changing." --Wendy Smith

From Publishers Weekly
With some chapters written by Jones, and others by his family and friends (Ray Charles and Peggy Lipton, to name a few), this (auto)biography full of behind-the-scenes anecdotes has an improvisational feel that suits its subject: a jazz musician and superstar composer. Jones came from a hardscrabble background split between Seattle and Chicago when he was still a boy, his schizophrenic mother was placed in a mental hospital for a time, and he was raised by his father and a stepmother. Jones discovered his talent for music early on, and hit the road with Lionel Hampton's jazz band when he was still a teenager. Hampton is just one of the musical greats who makes an appearance Frank Sinatra, Dinah Washington and Ray Charles are others. Jones scored his greatest musical successes during the 1970s and '80s (during which years he composed film scores and Michael Jackson's albums), but the strength of the book comes early on, when he describes the joy of his discovery of music, his early friendship with Charles and his struggles and joys as a jazz trumpeter on the road. "When I played music, my nightmares ended. My family problems disappeared." But to Jones's credit, he doesn't hold back his narrative when those problems caught up with him in the 1980s and he suffered a mental breakdown. With the help of his friends, Jones has composed a life story that gives much more than the typical celebrity memoir. (Oct.)Forecast: This title will appeal to many, including fans buying the CD boxed set, Q: The Music of Quincy Jones.

From Library Journal
Jones has been a celebrated jazz trumpeter, band leader, arranger, composer, producer, and business mogul. Now he can add writer to his r sum . His powerful, cinematic recollections range from his mother's mental illness, a rough childhood in Chicago, and a musical epiphany in Seattle to working with Lionel Hampton, Dizzy Gillespie, and Frank Sinatra, leading his own band through a ramshackle tour of Europe, becoming a successful writer of motion picture and television music, producing two of the biggest-selling records of all time (Michael Jackson's Thriller and the "We Are the World" charity single), and surviving two brain operations and a mental breakdown. Jones's snapshots of these events alternate with revealing sections written by his brother, ex-wives, children, and close friends (alas, no Jacko). Though gimmicky in theory, these "witness" chapters actually complement and deepen Jones's firsthand remembrances. Most problematic are the tiresome chapters devoted to his love life (he's fathered seven children by five different women) and the unfocused nature of the book's second half. These flaws, though substantial, are outweighed by the book's strengths. Recommended for most collections.
- Lloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

19 of 19 people found the following review helpful.
As masterful as Quincy Jones' arrangements: A classic
By Joel L. Gandelman
The autobiography of Quincy Jones is like one of his arrangements: masterful, engaging on several levels, and state-of the-art.
Jones' life story seems MADE for a highly dramatic, award-winning t.v. or big screen movie -- and I dearly hope it'll be made into one. Musician. Producer. Businessman. Composer. Arranger. Determination and incredible talent skyrocketing him over big obstacles. It's fitting that Jones' biggest passion is music because this outstanding autobiography truly SINGS.
From the first pages, you're thrust into the drama -- and challenge -- of Jones' life. Born into a poor family, throughout most of his life (well into his adult years) Jones struggled with how to cope-with and at times how to distance himself from a mother who suffered from severe mental illness. Music became his savior and Jones embraced it like the stable motherly love which he sought and he lacked as a child. He embraced Mother Music, letting it's beauty embrace, comfort and sustain him.
There are several things that sets this book apart from other show biz bios and makes it such sheer JOY for readers of ALL ages (old fogies like me who grew up with his music as well as young folks interested in music, interested in biographies or interested in show business and the arts in general):
1.PANORAMIC STYLE. There is so much in it that we can only list a little here, such as the poignant vignette of a young, arts-smitten Jones, just discovering his musical "chops" and bonding with a blind teenage musician named Ray Charles who basically mentored and inspired him; his later associations with greats such as Sammy Davis Jr, Ella Fitzgerald, Frank Sinatra, Michael Jackson and many many more.
Jackson, he writes, "wanted to be the best of everything" so he "went to the top model in each (show biz) category to create an act and a persona that would be unequalled." But "somehow later on the line between the reality and the fantasy got blurred." In the end, Jones writes, Jackson became "a total sponge, a chamelon." Jackson practiced hours and hours to perfect every single move, gesture and facial expression.
I am haunted by Jones' portrait of Sinatra. For all the tough-guy accounts elsewhere, Sinatra comes across as a noble and principled human being -- cooking Jones breakfast when he learned that Jones stayed up all night working; insisting that African-American musicians for his Vegas concert be allowed to play and get good rooms at a casino and telling his security to do significant bodily harm to any racists who harrassed them, even the slightest bit.
2)SECOND VOICES. Not all chapters are written by Jones. He also let others write their accounts about parts of his life, and not all of this material is complimentary. This adds a documentary feel and a sense of balance that most show business autobiographies lack.
3)USEFUL OBSERVATIONS. In his chapter on Michael Jackon's rise to the top of the music heap he notes that writes that he learned that "Nobody stays at the top. Nobody." Success, he writes, is "about preparation, then finding the right
opportunity" -- and that he learned that "being chronically underestimated can be a gift."
Jone's autobiography takes you through the 20th century's top musical and show business eras, and gifts you an incredible cast of famous well-etched cameos. The depth, ease, and detail of this panoramic journey is paralleled only by his private trek -- from poverty to aspiration to success, all amid personal family tragedies. In the end, we see a man (and artist) who constantly survived and triumphed due to his humanity -- and his unceasing personal growth.

3 of 3 people found the following review helpful.
Q had an amazing ride
By R. J. Marsella
I ,like many of the reviewers below, am just blown away by the accomplishments of this man. His life in music spans decades and musical styles that makes him unique among American musicians. From Lionel Hampton to Frank Sinatra To Michael Jackson to a seemingly endless list of film and TV scores----Q has seen and done it all musically.
The book is very well written and touchingly sentimental in his recollection of deceased family members and friends. At one point I began to wonder if Q ever met a man or a woman he didn't like. He has so much that is positive to say about almost everyone he came into contact with in what is a notoriously sleezy business that I began to wonder if he was just trying to be inoffensive. I concluded at last that this guy is just blessed with a generous heart that allows him to see the best in people. His genuine love of the music and the people who make it with him just jumps off the pages.
This is an inspiring story of a man who has overcome considerable obstacles both social and physcial but has retained his essential positive energy. He is one of the all time greats.

0 of 0 people found the following review helpful.
A Good Read!
By Pam
I enjoyed this story. I also like how others in Quincy family wrote some chapters as to their thoughts!.

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Jumat, 25 April 2014

[K800.Ebook] Get Free Ebook Build Your Own Telescope, by Richard Berry

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Sales Rank: #1222768 in Books
Published on: 2001-04
Original language: English
Number of items: 1
Dimensions: 11.00" h x 8.50" w x .75" l, 2.60 pounds
Binding: Hardcover
287 pages

From Library Journal
These books give two quite different perspectives on astronomical instru mentation. Infinite Vistas , based most ly on a series of public lectures, con sists of 11 chapters by professional astronomers on major new astronomi cal instruments under construction, planned, or hoped for. From radio waves to gamma rays, they cover the full range of the electromagnetic spec trum, summarizing recent progress, de tailing planned new equipment, and ex plaining research problems to be resolved in the future. Individual con tributions are well written and fit to gether unusually well to form a coher ent treatise. Given the key role of instrumentation in the dramatic pro gress of 20th-century astronomy, the volume provides an exciting peek at the next two decades. Readers do not need advanced training to enjoy this work, although some prior knowledge of as tronomy and physics might be useful. Berry's book contains detailed in structions for amateurs wishing to con struct small optical telescopes. It pro vides photographs and plans for five specific telescopesfour reflectors of differing sizes and styles and one re fractor. Several other chapters explain telescope construction and general use. The author is an experienced construc tor of, and writer on, telescopes. Both books are recommended for public and academic libraries. Jack W. Weigel, Univ. of Michigan Library, Ann Arbor
Copyright 1986 Reed Business Information, Inc.

Most helpful customer reviews

69 of 70 people found the following review helpful.
the best single book today for making your first scope!
By J. Hansen
If you can only have one first book on making your own telescope this is it! I have been an active amateur astronomer for almost 35 years and I wish this book had been out in 1965 at the time I first got interested in astronomy. Richard Berry when he was editor of "Astronomy", and "Telescope Making" (now sadly defunct),was the first to popularize John Dobson's Sidewalk Telescope design now simply known to amateur astronomers everywhere as the "Dobsonian". In this book he leads you in how to build several excellent telescopes from parts that are easily available from hardware/lumberyard sources everywhere. He shows and explains 5 different example projects, 4",6",10" Newtonians on Dobson mounts, how to mount a refractor on a Dobson type mount, and even one equatorial mount made of plywood and hardware parts. The projects are well illustrated and explained. He gives you a good overview of commercially available parts and commonly used eyepieces. But beyond being just a simple how-to project book he gives an explanation of telescope history and and basic optical theory. I wish I had his well illustrated chapter on "Home Brewed Optics" when I made my first telescope mirror. While not a substitute for having a copy of Allyn Thompson's "Making Your Own Telescope", or Jean Texereau's "How to Make a Telescope" which deal mainly with the making of the primary mirror, it would have tied together concepts I did not understand well at the time. When I'm asked while doing public star parties (and you always will be while doing that kind of thing)"what kind of telescope should I get" or "where can I find out how to build one these things (the telescope)", I always recommend this book. In fact I now always bring a copy to these occasions so they can get the title and author correct as well as browse thru it. You can light a number of fires that way.

46 of 47 people found the following review helpful.
I built a telescope from plans in this book
By Mark Gilbert
I am no craftsman, but I used one of the plans in this book to build a telescope - not a toy, but a real astronomical telescope that I use frequently. Berry includes plans for 4.25", 6", and 10" reflectors and for a 6" refractor.
The plans are quite complete, and the process of construction is given in detail. Berry devotes some space to mirror grinding, but I chose to buy my mirror, so I can't comment on his instructions. He also provides an introduction to astronomical observing, which I found helpful.
Berry's writing is clear and his tone is encouraging and enthusiastic. I recommend the book highly.

30 of 30 people found the following review helpful.
Excellent!
By A Customer
This is the best book out there for the beginning telescope maker. It is the book I used to build my first 6"; without it I would probably not have built a telescope at all.
Berry provides detailed and complete instructions for several telescopes. His writing is easy to understand and very clear, and he gives some very important practical advice about building and observing.

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Selasa, 22 April 2014

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Imperfectionists Accomplish More with Less Stress
I remember when I aimed for perfect workouts: 30 minutes was the minimum.
I was in lousy shape.

I remember when I aimed for perfect dating: it couldn't be awkward, forced, or uncertain.
I didn't talk to women of interest.

I remember when I aimed for perfect writing: I wanted 1,000+ words of quality material per day.
I played video games instead.

I carefully avoided mistakes, endlessly ruminated about what I didn’t do, and what I did do wasn't enough.

Then, I became an imperfectionist.

Everything changed. I had fun stories to tell, like the lesbian pizza incident and the most nervous “Hi” ever spoken by a human being. I learned more. I laughed more. I lived more.

I got in great shape, read more books, and improved my social skills. I wrote Mini Habits, which became an international bestseller, and is being translated into a dozen languages.

I found I could mess up and still win.

What's the New Way to Cure Perfectionism?
The old way was to persuade people to “let go” of their need for perfection and hope they can do it.
The new way is to persuade people to take simple, but highly-strategic actions, which let them effortlessly experience the process of “letting go" of perfectionism. Over time, these behaviors become habitual and the changes last.

The old way was to tell perfectionists fight against and resist all perfectionistic thinking.
The new way is to utilize the perfectionist's current desires by redirecting them to healthier applications, resulting in more success with less stress.

The old way is based on popular but ineffective traditions of behavioral change, such as motivation-driven living, emotional manipulation, and an overall focus on the self instead of strategy.
The new way starts with a deep understanding of how emotion, motivation, fear, action, ambition, desire for comfort, desire for safety, and our insecurities interact with one another to push us to a default state of perfectionism. Which of those factors do we focus on to reverse perfectionism? Well, you've got to read the book to find out the best strategies!

What You'll Discover

The lesser known, but most damaging form of perfectionism almost every person has
A simple-to-apply technique to have unshakable confidence
Why perfectionism hurts performance, and the rare exception where it helps
Detailed and customized solutions for these five subsets of perfectionism: need for approval, rumination, unrealistic expectations, concern over mistakes, and doubts about actions
Fun illustrations with a powerful message to begin each chapter
...and much more!

Imperfectionism Is Freedom
Perfectionism is a naturally limiting mindset. For example, kids are taught to color inside the lines, and any color outside the lines is considered a mistake that must be corrected. Imperfectionism frees us to live outside the lines, where possibilities are infinite, mistakes are allowed, and self-judgment is minimal.

While the freedom from imperfectionism is impactful, it does not preclude us from having problems. Imperfectionists aren’t so ironic as to have perfect lives, they’re just happier, healthier, and more productive at doing what matters. If that sounds good to you, take the first step into imperfectionism and start reading How To Be An Imperfectionist right now!

Sales Rank: #76220 in eBooks
Published on: 2015-05-22
Released on: 2015-05-22
Format: Kindle eBook

Review
Author Guarantee: I will never buy, trade, or otherwise ask for a favorable review. Here are some quotes from Amazon reviewers (verified purchases):

"This book deserves to become a classic."
~ Melissa Wiederrecht

"Stephen expertly interweaves the scientific research with personal experiences, trial and error, and reader stories. Most importantly, Stephen lays out numerous easy to implement strategies to combat the problem. These aren't all conceptual 'change your attitude' ideas, either. They are actionable steps that provide immediate progress."
~ Douglas

"An ingenious guide to actually making progress."
~ Jason

"This book helped to set me free!"
~ Sonia Thompson

"I just finished the book, and I can already feel a paradigm shift happening."
~ goodread21

About the Author
Stephen Guise has been writing about and researching personal growth strategies since 2004. His first book, Mini Habits, has become an international bestseller and is being translated into more than a dozen languages. Stephen enjoys minimalism, playing basketball, and exploring the world.

Most helpful customer reviews

20 of 20 people found the following review helpful.
I am as happy as a well-fed tyrannosaur in reading this book!
By Lisa R
I really only bought this book because I liked Guise's Minihabits book so much. I didn't really consider myself a perfectionist, but I discovered I could use a lot more information from this book than I expected. I also was concerned this book would have too much overlapping content from Guise's Minihabits book and blog posts, but it had a lot that I hadn't seen before.
PROS: First, the structure of this book is really clear and usable. I loved that Guise didn't waste our time with a lot of "here's how to know if you're a perfectionist" drivel and instead focused on understanding perfectionism, its causes, and its solutions. In particular, I found Guise's review of the academic literature on perfectionism to be both conscientious and valuable. It does seem true that when academics are talking about perfectionism being good, they are focusing on the aspects that aren't really a focus on perfection (like "seeking excellence" or "being organized"). Guise also does a great job simplifying the categories that the academics used and adding ones of his own when needed. Next, Guise does a great job explaining how perfectionism has to be perceived as something bad if any real progress is to be made. So long as you are secretly congratulating yourself on your "flaw" of wanting everything to be perfect, you won't understand just how pervasive the problem is or be very effective in changing it. Thirdly, Guise flummoxed me by introducing new (to me) aspects of perfectionism: insisting that the context be perfect in order for you to take action ("I'm going to speak up at the meeting at work today...no, actually, Jamie's here, and he talks too much so no one will hear me...or, oh no, it's an AFTERNOON meeting this time, well, that's a loss because I'll be too tired...or, I'm sitting right next to the boss? that's too much stress, forget it; I won't speak up.") and goal size (assuming a goal has to be a "Standard American Goal"--something other people would use as a goal, a big chunk of obvious success rather than small goals of incremental progress). I didn't think I was very perfectionistic until I read about these kinds. I can see how I've fallen into these perfectionisms time and time again, and just from reading Guise's book, I've already made a lot of progress in changing the way I think about context and goal size. This is especially important to people who liked Guise's Minihabits book, because if you are like me, you added some great minihabits, made a lot of progress, and yet still felt somehow whiny and unsatisfied because you were fixated on the external "standardized" major goal. In my case, this meant I made a lot of daily progress in writing a book, but I still felt bad because I didn't have "Publish a book" checked off my imaginary perfectionist list. Why should "publish a book" be the goal? It's too big a chunk to be focusing on right now. I just got lulled into insisting my life wasn't right until this "society-approved" goal was done, and I didn't think any smaller goals or a life of progress could count for anything.
Guise makes a lot of other great points throughout the book, but I don't have time to detail them all! :) I will say that Guise's humor is a plus.
CONS: Because this book was GREAT!, I have mostly nitpicky things to say as cons. The one thing I don't think is nitpicky is that Guise could use a broader group of examples. Nearly all his examples were about exercise, writing, and asking for dates. It is nice to write what you know, but it's also important to know your audience, and I'm sure many of Guise's readers would appreciate seeing how his concepts work for a more varied group of activities and goals (e.g. environmental goals, meetings at work, repairing a broken marriage, childrearing, saving money, investing, volunteering, apologizing, traveling, doing taxes, caring for an elderly person, being sick, getting along with difficult coworkers, etc.). Probably Guise drew from his own experience and those of his friends, but he may need to ask family members or other people of varying demographic groups (age, marital status, etc) to get ideas for more examples. That said, many readers will do fine adapting Guise's examples to their own cases without any trouble. Now for the nitpicky things: I had hoped for a discussion of perfectionism regarding OTHERS' actions, and that never really came up. If your perfectionism takes the form of insisting that others behave in a certain way, should the action steps be any different? (For example, I often let my husband do the dishes, then I obsess about the food gunk that is still on them afterward, and that makes him feel bad.) Are there any complicating features we need to be aware of? Most perfectionists I know do have a problem in interacting with others, because their own need for perfect results makes them micromanage or scold other people. Should this be handled any differently than more personal forms of perfectionism? Would it matter if the relationship is long-term or just a momentary interaction with a stranger? (e.g. "That cashier just bagged my meat with my vegetables!") Most of Guise's examples involve either no interaction with other people (e.g. exercise) or very limited response from others (e.g. you ask for a date, the other person says "yes" or "no.")
Guise also uses the phrase "sunken cost" repeatedly, which I found very awkward. I'm sure "sunken" is better grammar than "sunk cost," but I've only ever heard the phrase "sunk cost," and at some point common use wins out over formalized grammar. It really threw me off trying to read that passage smoothly. Lastly (see how nitpicky I have to be to find flaws?), Guise recommends lying down in public to get over one's fear of social disapproval and says it is harmless. In most places this is probably harmless, but where I lived before (not the U.S.), men actually did this, in order to look up women's skirts. (Often they kept a hand mirror in their pockets for when the angles weren't quite right.) Anyway, just be aware that if you do this, especially if you are male, it may not be perceived as harmless by everybody. Again, probably in most places this won't be an issue.
All in all, this was a fantastic book! The cons were really unimportant, and the pros made this book a delight. I especially appreciated Guise's humorous tone. Occasionally, it would even wax a little poetic, like when he wrote: "It's like seeing a dense fog in the woods: danger may lurk behind it, but the allure of its mystery still draws in the curious ones." Nice! I am really happy that this book was so practical and fun.

16 of 16 people found the following review helpful.
Full of great ideas and strategies
By goodread21
This book was full of advice and strategies I could really use and implement daily to improve my perfectionist tendencies! I just finished the book, and I can already feel a paradigm shift happening. I especially love how he organizes the book with the "Application Guide" at the end. All too often, I read a self help book, get excited about the ideas, but then forget what exactly I was supposed to do to make it work in my life. This book allows you to easily reference daily tips to keep these strategies working for you. I also appreciate the author's writing style. When I read it, I feel like I'm having a meaningful conversation with a friend, who is going through the same ups and downs, and trying to figure it all out... who also happens to have some amazing ideas and advice! It is even laugh out loud funny in a few places! Thank you to Stephen Guise... this book will really make a difference in my life!

10 of 10 people found the following review helpful.
This book read me
By Melissa Wiederrecht
This is a very good book..... I felt it was on the same level with "The Now Habit"... Where you feel like the author really knows what they are talking about and manages to fit important and deep insights into every single page... And read me like a book.

I had to laugh when he mentioned that a perfectionist would try to fix everything all at once with mini habits and fail. I have three times now attempted to take on about 20 mini habits at the same time... I am sure you can guess what happened. And I know I really need to do like 2-3 mini habits... But I get stuck right there since I couldn't decide which few best ones to choose! And the fear of mistakes keeps me from even just picking one and trying... What if I attempt just 1 mini habit and still fail?! Trying to please a specific person keeps me stressed 24/7. I live my life feeling like I am never enough. I go through life dreaming of the great things I can accomplish... too scared to really try anything and fall short of my dreams. THIS BOOK GETS IT. Every detail of it.

Steven has done his research... He manages to unroll the messy ball of perfectionism to allow us to observe the many different aspects and sides to it and then recommend specific and easy ways to combat each. A person who really follows his advice will probably be well onto the path to recovery. This book deserves to become a classic.

I think one of the most helpful perspectives this book offers is its emphasis of "lowering the bar" rather than psyching you up to be able to reach the high bar.

Oh, and one more thing... I thoroughly enjoy the writing style of this book. It is a joy to read.

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Minggu, 20 April 2014

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Christmas Songs: Jazz Piano Solos Series Volume 25From Hal Leonard

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(Jazz Piano Solos). 21 holiday classics arranged for jazz piano. Includes: Blue Christmas * The Christmas Song (Chestnuts Roasting on an Open Fire) * Christmas Time Is Here * Have Yourself a Merry Little Christmas * I'll Be Home for Christmas * Let It Snow! Let It Snow! Let It Snow! * My Favorite Things * Santa Baby * Silver Bells * White Christmas * and more. Includes chord names.

Sales Rank: #14401 in Books
Brand: Hal Leonard
Published on: 2012-09-01
Original language: English
Number of items: 1
Dimensions: 12.00" h x .28" w x 9.00" l, .75 pounds
Binding: Paperback
96 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

34 of 34 people found the following review helpful.
Just what I was looking for
By Aega
This book is perfect for the holiday gathering where you want to impress with something more than just the typical Christmas tunes out of a hymnal. The arrangements are light and refreshing, and perfect for those of us pianists who aren't up to the challenge of improvisation after a couple of adult beverages.

It is not easily sight-readable (be prepared to practice ahead of time), but the book is definitely fun to play, and memorable afterwards. Kudos to the arranger for including the chord symbols as well as the realization. All of the arrangements are perfect as they introduce the tune, do a little development, and then most return to the tune at the end (but beware the DS al codas, as I found the page turns definitely get in the way).

The only tunes that were not to my liking were the Gospel-swing arrangements (Blue Christmas and Silver Bells). While inventive, I felt the style gets old before the pieces have a chance to develop (although this might just be a matter of personal taste). Even if you agree with me, that still leaves 19 pieces that are just about as good as a Christmas piano CD (except live, because you'll be playing them).

If you play the book cover to cover, it'll take about an hour (about which time you'll be ready for someone else to take over at the keyboard, with no takers because the arrangements from this book impressed the crowd). I'll definitely be pulling this book out again next year.

Oh, and because it doesn't say this anywhere else in the info, these arrangements are by Brent Edstrom.

14 of 14 people found the following review helpful.
Wow!
By Steve D
I'm thrilled about this purchase. Let me explain that as a long-time jazz musician (trombone player) and classically trained pianist (but, surprisingly NOT a jazz pianist per se), this book is like gold. I have not had time to play many of the arrangements, so I am going to keep my preliminary review fairly simple. Surprisingly, the technical requirements of this book should not be beyond that of any intermediate to advanced pianist even with a largely classical training. That is because being based primarily on sight reading rather than chordal improvisation, these arrangements can be accessible to anyone who appreciates but has never truly had time to study the discipline. Having said that, some knowledge of the jazz idiom is extremely helpful. Case in point, when playing chords with multiple accidental alterations, it helps to be able to use the chord notations to verify that you are playing the intended harmonies.

What I like most about these arrangements is that they have been written to closely resemble (if not in identical form to) the music that you would hear in commercial recordings. A fairly obvious example of this is "Christmas Time is Here," which blew me away when I first played it because it so closely resembles the Vince Guaraldi version we are used to hearing. It may in fact be a simplified version of what he and other true jazz artists have done with the piece, but it makes the amateur pianist feel as if he or she were playing the original, and that's what this is all about: empowering the performer to expand his/her musical horizons. Indeed, through careful study and rehearsing of these pieces, I believe there is a lot that can be learned about jazz chord progressions and voicings. "A Child is Born" is another arrangements that fits this same pattern. It sounds so much like the versions you hear performed yet continues to be such a hauntingly beautiful piece to play.

I'm sure everyone (myself included) could find things to knit-pick about specific songs or settings they like or dislike, but this is one situation where I am going to review based on the whole of the work rather than its individual parts. If you don't like a particular accompaniment pattern or style, then do what other reviewers have suggested (and done) which is modify or improvise something more to your liking. Play from the chord progressions alone if you are so inclined.

In closing, I will echo the sentiments of another reviewer I followed when selecting this book. I look forward to learning these pieces and hopefully someday playing them to entertain others with arrangements that are refreshing, exciting, and truly contemporary sounding. With 20+ pieces to study, this book is well worth the money. For what it's worth, I see that this is one of a long series of books designed to introduce the amateur pianist to a variety of jazz artists and styles. I expect those who play from those other books will find a similarly rewarding experience. I may well have to explore more of them myself.

19 of 19 people found the following review helpful.
Real deal!
By Self Helper
I cannot arrange myself, but luckily, publishers such as Hal Leonard and Alfred Publishing do it for me. I have a large collection of various Christmas piano books, I can find many I like. This book will surely become one of my best.
I received it yesterday and have been learning it all day. The first thing you notice about the arrangements is how professional they sound. The sophisticated and fresh chords,and the phrasing. These arrangements sound similar to the ones I've heard on various easy listening radio stations: jazzy, fresh, never boring, Hal Leonard did an outstanding job picking cream of the crop and transcribing them in one lovely book! My absolute favorites are Have Yourself a Merry Little Christmas and Winter wonderland, but almost every song is just a gem of it's own. Hope you'll enjoy it as much I do.

Other solos books I liked

Yes, of course I can recommend:

Check out other books in this wonderful series of Popular Performer by Alfred Publishing, about 30 books, especially the ones arranged by Mark Hayes.
Also check out other series such as Steinway Library Piano Music series (about 6 books) and Jazz Piano Solos Series published by Hal Leonard (about 35 books).

In addition, check out youtube an amazing source for piano player especially search for Jazz2511 and Fabrizio Calligaris. Try search words such "piano tutorials" and you will be amazed what pops up.

http://www.amazon.com/Coates-Complete-Advanced-Professional-Series/dp/076929264X/ref=pd_sim_14_3?ie=UTF8&refRID=0G80BXFMYRVFEJHQK0TC

http://www.amazon.com/s/ref=nb_sb_ss_i_1_23?url=search-alias%3Dstripbooks&field-keywords=jazz%20piano%20solos%20series&sprefix=jazz+piano+solos+series%2Cstripbooks%2C170

http://www.amazon.com/Berlins-Piano-Solos-Irving-Berlin/dp/0793503973/ref=sr_1_18?s=books&ie=UTF8&qid=1431489877&sr=1-18&keywords=irving+berlin+solos+for+piano

http://www.amazon.com/Roger-Williams-Contemporary-Piano-Solos/dp/0769204848/ref=sr_1_2?ie=UTF8&qid=1431490007&sr=8-2&keywords=roger+williams+solos

http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Dstripbooks&field-keywords=steinway%20library%20of%20piano%20music&sprefix=steinway+l%2Cstripbooks

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This fully revised third edition integrates updated references, new findings, and modern theories, to present readers with the most thorough and complete introduction to phonetics and phonology.

Exceptionally thorough, including detailed attention to articulatory and acoustic phonetics as well as to the foundations of phonological analysis
Features a number of valuable changes, incorporating new material on the latest findings in speech production studies; greater coverage of prosody, including a major section on autosegmental metrical models; expanded coverage of phonology, including Optimality Theory; and sections on L1 and L2 acquisition, and sociolectal variation
Integrates new findings, theories references throughout, offering students the most thorough and complete knowledge of the subject to date
Includes 125 figures throughout

Sales Rank: #537053 in Books
Brand: Brand: Blackwell Publishing
Published on: 2007-01-05
Released on: 2006-12-27
Original language: English
Number of items: 1
Dimensions: 9.70" h x 1.02" w x 6.80" l, 1.92 pounds
Binding: Paperback
504 pages

Features

Used Book in Good Condition

Review
“A key general-reference text, which assumes no prior knowledge. In this edition, emphasis is placed on acoustic phonetics and phonological analysis, and it incorporates new material on developments in speech production studies, prosody, optimality theory in phonology, L1 and L2 acquisition and sociolectal variation.” Times Higher Education Supplement

“The third edition of An Introduction to Phonetics and Phonology is a welcome update to an introductory volume which for many years has informed and challenged students in equal measures, and will clearly continue to do so.”
Gerry Docherty, University of Newcastle upon Tyne

From the Back Cover
Now available in a fully revised third edition, this comprehensive introduction to phonetics and phonology familiarizes the reader with detailed knowledge of articulatory and acoustic phonetics as well as the foundations of phonological analysis. Featuring numerous figures throughout, it assumes no prior knowledge of the subject.

The new edition contains a number of valuable changes, including:

Updated chapters on the anatomy, physiology, and acoustics of speech production, which include recent research findings
A thorough revision of the chapter on speech perception
An expanded chapter on prosody, including a major section on autosegmental-metrical models of intonation
Additional material on theoretical phonology, including a new section on constraint-based theories, including Optimality Theory

Integrating new findings, theories, and references, the third edition of An Introduction to Phonetics and Phonology is the most thorough and complete resource on the subject to date.

About the Author
John Clark is Professor Emeritus at the University of Western Sydney and Adjunct Professor at Macquarie University.

Colin Yallop is Adjunct Professor in English at Macquarie University, an Honorary Fellow in the School of Languages and Linguistics at the University of Melbourne, and Chief Editor of the Macquarie Dictionary.

Janet Fletcher is Associate Professor in the School of Languages and Linguistics at the University of Melbourne.

Most helpful customer reviews

0 of 2 people found the following review helpful.
It helps to supplement my other Phonetics course
By Janet Novotny
The index is o.k. but could be more detailed as I look for items I need information on. It is a good supplement to my other Phonetics book by Ladefoged.

3 of 9 people found the following review helpful.
Good book to understand Phonetics
By Enrique Pilleux
This book provides with a clear explanation of the field being of Phonetics and its different features. It also provides clear examples of the different elements it covers.

See all 2 customer reviews...

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