Selasa, 30 Maret 2010

[M391.Ebook] Ebook Free Fracture Mechanics: Fundamentals and Applications, Third Edition, by Ted L. Anderson

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Fracture Mechanics: Fundamentals and Applications, Third Edition, by Ted L. Anderson

With its combination of practicality, readability, and rigor that is characteristic of any truly authoritative reference and text, Fracture Mechanics: Fundamentals and Applications quickly established itself as the most comprehensive guide to fracture mechanics available. It has been adopted by more than 100 universities and embraced by thousands of professional engineers worldwide. Now in its third edition, the book continues to raise the bar in both scope and coverage. It encompasses theory and applications, linear and nonlinear fracture mechanics, solid mechanics, and materials science with a unified, balanced, and in-depth approach.

Reflecting the many advances made in the decade since the previous edition came about, this indispensable Third Edition now includes:

  • A new chapter on environmental cracking
  • Expanded coverage of weight functions
  • New material on toughness test methods
  • New problems at the end of the book
  • New material on the failure assessment diagram (FAD) method
  • Expanded and updated coverage of crack closure and variable-amplitude fatigue
  • Updated solutions manual

    In addition to these enhancements, Fracture Mechanics: Fundamentals and Applications, Third Edition also includes detailed mathematical derivations in appendices at the end of applicable chapters; recent developments in laboratory testing, application to structures, and computational methods; coverage of micromechanisms of fracture; and more than 400 illustrations. This reference continues to be a necessity on the desk of anyone involved with fracture mechanics.
    • Sales Rank: #355206 in Books
    • Brand: Brand: CRC Press
    • Published on: 2004-05-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.20" h x 1.52" w x 7.20" l, 2.45 pounds
    • Binding: Hardcover
    • 640 pages
    Features
    • Used Book in Good Condition

    Review
    An audience of engineers, researchers, and students will appreciate this publication as a reference tool with theoretical background and practical applications.
    MCEER, 2005

    Most helpful customer reviews

    21 of 21 people found the following review helpful.
    Lots of room for improvement
    By C. Greg Freeman
    Two specific things about this book keep me from rating it higher:

    1- The book has a lot of errors. For instance, the polynomial equations for the stress concentration factors (K_I) in chapter 2 are labeled incorrectly. The diagrams for Center Cracked Tension and Double Edge Notched Tension are reversed. There are also other errors, but to list them all here would be pointless.

    2- The problem set is close to worthless. Of the 600 page book, there are 18 pages of problems, or less than 100 total problems. The problems are not even that difficult. The "derivations" in the problem sets hardly require more than 2-3 lines of work, and very little deep thought. In other words, the problems are superficial.

    Because of the lack of good problems and the errors (in fact, one of the problems seems to have an error in the difference between compliance and stiffness), I wouldn't feel comfortable using this book as a reference. No doubt, it does provide an excellent introduction or overview of fracture mechanics in general, but I would not feel comfortable with this book as my main source of information. There are also few examples with solutions to motivate learning. A good teacher is necessary to go beyond the basics of this text.

    6 of 6 people found the following review helpful.
    A good book for mechanical engineering, I recomnend it to my students
    By Patagon
    This book covers most of the fundamental topics in fracture mechanics. I recommend it to my undergraduate students. It is very easy to understand. This book is a fundamental source in fracture mechanics. It is a classic book recommended by numerous bibliographies regarding this field of study.

    9 of 12 people found the following review helpful.
    a must book for mechanical engineers
    By tolga dursun
    This book is a must for mechanical engineers who work in the field of fracture mechanics. It covers the subjects entirely.It is very easy to understand. this book is a fundamental source in fracture mechanics

    See all 15 customer reviews...

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    Rabu, 24 Maret 2010

    [U833.Ebook] Ebook Download Adiabatic Logic: Future Trend and System Level Perspective (Springer Series in Advanced Microelectronics) (Volume 34), by Philip Teichmann

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    Adiabatic Logic treats the whole system, covering all loss mechanisms and all circuitry needed to build adiabatic circuits, including wiring and other parasitic elements. Readers will also learn the applicability of standard design automation tools -- a major concern for industry users.

    • Published on: 2013-11-29
    • Released on: 2013-11-29
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.25" h x .42" w x 6.10" l, .59 pounds
    • Binding: Paperback
    • 166 pages

    From the Back Cover

    Adiabatic logic is a potential successor for static CMOS circuit design when it comes to ultra-low-power energy consumption. Future development like the evolutionary shrinking of the minimum feature size as well as revolutionary novel transistor concepts will change the gate level savings gained by adiabatic logic. In addition, the impact of worsening degradation effects has to be considered in the design of adiabatic circuits. The impact of the technology trends on the figures of merit of adiabatic logic, energy saving potential and optimum operating frequency, are investigated, as well as degradation related issues. Adiabatic logic benefits from future devices, is not susceptible to Hot Carrier Injection, and shows less impact of Bias Temperature Instability than static CMOS circuits. Major interest also lies on the efficient generation of the applied power-clock signal. This oscillating power supply can be used to save energy in short idle times by disconnecting circuits. An efficient way to generate the power-clock is by means of the synchronous 2N2P LC oscillator, which is also robust with respect to pattern-induced capacitive variations. An easy to implement but powerful power-clock gating supplement is proposed by gating the synchronization signals. Diverse implementations to shut down the system are presented and rated for their applicability and other aspects like energy reduction capability and data retention. Advantageous usage of adiabatic logic requires compact and efficient arithmetic structures. A broad variety of adder structures and a Coordinate Rotation Digital Computer are compared and rated according to energy consumption and area usage, and the resulting energy saving potential against static CMOS proves the ultra-low-power capability of adiabatic logic. In the end, a new circuit topology has to compete with static CMOS also in productivity. On a 130nm test chip, a large scale test vehicle containing an FIR filter was implemented in adiabatic logic, utilizing a standard, library-based design flow, fabricated, measured and compared to simulations of a static CMOS counterpart, with measured saving factors compliant to the values gained by simulation. This leads to the conclusion that adiabatic logic is ready for productive design due to compatibility not only to CMOS technology, but also to electronic design automation (EDA) tools developed for static CMOS system design.

    About the Author
    Philip Teichmann studied electrical engineering at the Technische Universität München with a focus on the physics of electronic devices and microelectronics. During his work at the Institute of Technical Electronics at the Technische Univeristät München he focused on the design of circuits for ultra low-power energy consumption. He has authored and co-authored several papers on Adiabatic Logic and presented his work at international conferences.

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    Kamis, 18 Maret 2010

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    “Much of what we experience in life results from a combination of skill and luck.” — From the Introduction

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    • Sales Rank: #34714 in Books
    • Brand: Mauboussin, Michael J.
    • Published on: 2012-11-06
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.50" h x 6.50" w x 1.25" l, 1.24 pounds
    • Binding: Hardcover
    • 320 pages

    Review
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    “The Success Equation makes a valuable contribution to the literature on decision making when both luck and skill are involved. It is thoroughly researched and well written. I highly recommend the book to anyone interested in making better investment choices.” — CFA Institute

    “an engaging book.” — Choice Magazine

    “In The Success Equation, Mauboussin explores the contributions of skill and luck, and discusses how interpreting past results through the ‘skill-luck continuum’ can help leaders to make better decisions...This can be a useful way to look at business leadership… [He observes that] luck becomes more important and skill less so, as people climb up the hierarchy, which also raises interesting questions about how leaders can continue to grow and enhance their skills… what leaders can do, is to improve their understanding of the impact of fortune on their decisions.” —The Sunday Times

    “…a fine and different approach business readers will find involving.” — The Bookwatch, Midwest Book Review

    “In dealing with success and luck Mauboussin presents a useful model.” — Eric Falkenstein, Seeking Alpha

    "I just finished reading the most enjoyable business book I’ve read in a long time – although relegating 'The Success Equation,' by Legg Mason Chief Investment Strategist Michael J. Mauboussin to this category would be a grave disservice, significantly understating its sophistication and selling short its achievement." — David A. Shaywitz on Forbes.com

    "Fascinating. Michael Mauboussin's insights into the relationship between skill and luck are clearly and simply explained, relentlessly logical and often counter-intuitive. This makes for great reading and provides powerful tools for understanding sports and markets. Anyone who wants to understand sport or business beyond the platitudes and assumptions routinely trotted out as expert analysis should read this book." — Ivan Gazidis, Chief Executive Officer, Arsenal Football Club

    “If you liked Michael Lewis’s Moneyball, with it’s mix of data and great storytelling, you’ll very much enjoy Michael Mauboussin’s Success Equation.” — Jack Covert, 800 CEO READ

    “Michael J. Mauboussin is always worth reading. … almost everyone will find something in this book that either he hadn't thought about before, or that he thought about incorrectly.” — Brenda Jubin, Seeking Alpha

    ADVANCE PRAISE for The Success Equation:

    Philip Tetlock, Leonore Annenberg University Professor, Wharton School and School of Arts and Sciences, University of Pennsylvania; author, Expert Political Judgment—
    “Mauboussin seems to know everything there is to know about how to skillfully disentangle skill from luck. He also knows how easy it is to botch the job and has great stories—from music studios to baseball dugouts to the New York Stock Exchange—that bring statistical abstractions to life.”

    Howard Marks, Chairman and cofounder, Oaktree Capital Management; author, The Most Important Thing—
    “In The Success Equation, Michael Mauboussin helps us understand the difference between skill and luck and, importantly, how to tell how much each contributed to a given outcome. He reminds us that in fields where luck plays a big part, like investing, outcomes are of limited relevance in assessing performance. And, indispensably, he points out how important it is for practitioners ‘to develop an attitude of equanimity toward luck.’ I love that!”

    James Montier, GMO; author, The Little Book of Behavioral Investing—
    “The Success Equation is a brilliant and insightful book packed with interesting anecdotes and rigorous analysis. Anyone dealing in fields that blend some combination of luck and skill—which is most of us—will find their understanding enhanced by reading it. The central role of process in such environments is often underestimated. This book helps redress the balance.”

    Paul DePodesta, Vice President of Player Development and Scouting, New York Mets—
    “Few people acknowledge or care to accept the central role that luck plays in our lives. Michael Mauboussin not only understands the separation between skill and luck, but more importantly, provides a mental framework to deal with the reality. This is an important read.”

    About the Author
    Michael J. Mauboussin is an investment strategist and has been in the financial services industry for more than twenty-five years. He has also taught at the Columbia Graduate School of Business since 1993, and is on the board of trustees at the Santa Fe Institute.

    He is the author of two previous books, Think Twice: Harnessing the Power of Counterintuition and More Than You Know: Finding Financial Wisdom in Unconventional Places and is coauthor, with Alfred Rappaport, of Expectations Investing: Reading Stock Prices for Better Returns.

    Most helpful customer reviews

    114 of 119 people found the following review helpful.
    Decent book with some interesting references to follow up
    By Jackal
    Be aware of all the five-star reviews that have only read one book, or those that have read three books from the same author and nothing else.

    This book is neither a masterpiece nor the author's best book, but still an interesting book.

    I think most of the book is based on the author's blog entries. I personally prefer the blog entries which are more concisely written. I feel that this book has a bit too much filler material. The book is clearly not written for professionals in the investment community (even though they too can profit from reading the book).

    I would have liked the book to go one step further than just present extended blog entries. Sometimes the author lack a critical eye. Sometimes he presents an interesting academic finding and then moves on to the next thing. One is left with a lot of lose ends. What was the point of including the stuff on disruptive technologies for instance. We don't know because the author does not tell us. Personally, I still found some chapters interesting and especially the references to more specialised sources in psychology and management. This requires extra work, but the author has a good ability to read widely. If you do not want to do this extra work I don't know if the book will provide you with value. After finishing the book you are not left with a clear way to distinguish luck and skill. You are left with the general notion that luck plays a big role in investing. Not sure that is sufficient for even most lay-persons.

    One thing the author misses is that luck and skill are not cast in steel. Luck is like a Russian doll. What is luck for an investor is not necessarily luck for the CEO. What is luck for the CEO is not necessarily luck for the R&D department. Etc. Failure to realise this point makes some of the discussion feel very superficial.

    The book contains a lot of sports analogies. The author is talking about US sports, so these sections will not be fun readings for non-Americans. I am not a sports fan in general, so I think that these sections are a bit too lengthy (~30% of the book). In fact, the book contains more sports discussion than investment discussion (~10%). And even more psychology (~60%). Another weakness with the book is that the author is not pushing the investment parallels strongly enough.

    Some advice if you have read Taleb. Mauboussin's book is more in the informal style of Taleb's Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets. Personally, I would prefer Taleb's The Black Swan: Second Edition: The Impact of the Highly Improbable: With a new section: "On Robustness and Fragility".

    If you have not read any of the author's books, pick up More More Than You Know: Finding Financial Wisdom in Unconventional Places (Updated and Expanded) (Columbia Business School Publishing) instead. That book is richer in providing various ideas. I would also advice you to check out the author's blog (on Legg Mason site) to get a feel for his writing. The blog is written for a professional audience, so it is more to the point and largely lacks the filler material.

    This book is worth between three stars a bit depending on your own writing style preferences (more academic vs more informal).

    35 of 43 people found the following review helpful.
    How and why to "untangle" skill and luck to improve at "the art of good guesswork" when making decisions
    By Robert Morris
    I have read all of Michael Mauboussin's HBR Blog posts and thus have eagerly anticipated the publication of this volume in which he examines - in much greater depth than the articles permit -- a common mistake when making predictions: failing to recognize the existence or miscalculating its influence, "and as a consequence we dwell too much on the specific evidence, especially recent evidence. This makes it tougher to judge performance...The problem is that we commonly twist, distort, or ignore the role that luck plays in our successes and failures. Thinking explicitly about how luck influences our lives can help offset that cognitive bias."

    Obviously, luck can be an important factor. The challenge that Mauboussin embraces is to explore and thereby understand "the extent to which luck contributes to our achievements, successes, and failures." He shares what he has learned so that those who read this book will be much better prepared to take luck into full account when making decisions, especially those that serious implications and could have major consequences.

    These are among the dozens of passages that are of special interest and value to me:

    o Skill, Luck, and Prediction (Pages 5-10)
    o The Luck-Skill Continuum and Three Lessons (23-29)
    o Stories, Causality, and the Post Hoc Fallacy (34-38)
    o The Paradox of Skill -- More Skill Means Luck Is More Important (53-58)
    o Simulation: Blending Distributions to Match the Results (70-73)
    o Gauging Luck: Independent and Dependent Outcomes (110-116)
    o Power Laws and the Mechanisms That Generate Them (116-123)
    o Deliberate Practice: Structure, Hard Work, and All About Feedback (157-163)
    o When Success Is Probabilistic, Focus on Process (167-174)
    o How to Live in a World That We Do Not Understand (190-195)
    o Mean Reversion Mistakes (200-206)

    Some of the most valuable material in the book focuses on the difficulties that result from attempting to "untangle" skill and luck. (Many people are unaware of that "tangle.") Mauboussin suggests that there is "a basic desire to find cause and effect in every situation, whether or not that view represents reality." He identifies several reasons that help to explain misjudgments. They include the aforementioned desire to see causality where none exists, the regency bias, mean reversion, nd the sample bias. He also has much of value to say about what I characterize as "reverse causality," indicated by the assertion that wet highways cause rain. How to improve the odds when making an important decision? Be sure to check out "Ten Suggestions to Improve the Art of Good Guesswork in a World That Combines Skill and Luck" (Pages 215-233).

    No brief commentary such as mine can possibly do full justice to the scope and depth of material that Michael Mauboussin provides in this volume but I hope that I have at least suggested why I think so highly of him and his work. Also, I hope that those who read this commentary will be better prepared to determine whether or not they wish to read it and, in that event, will have at least some idea of how the information, insights, and wisdom could perhaps be of substantial benefit to them and to their own organization.

    18 of 22 people found the following review helpful.
    Entertaining Read, Valuable Guide for Coping with Luck in Work and in Life
    By C. Eaton
    I would highly recommend "The Success Equation" for anyone looking to better understand how luck affects our lives. Thankfully, Mauboussin's new book also provides a host of mental tools that can be used to cope with the fact that luck - not just our ability or skill - determines a large portion of our fate. In fact, it is for that reason that "The Success Equation" goes well beyond one of my other favorite books on the topic, "Fooled by Randomness" by Nassim Taleb. Taleb's excellent book rightly highlighted the human tendency to overestimate causality in certain environments, such as the business world. I credit "Fooled by Randomness" for making me more cautious in my assessment of the perceived skill (or lack of skill) of many individuals or groups (companies, teams, etc.), but I regret that it did not provide many tools (aside from Monte Carlo) or mental models for figuring out the relative contributions of luck and skill to a particular outcome. Mauboussin's book does just this, and for that reason alone it should be a mainstay on the bookshelf of anyone who works in a field where luck plays a central role ("which is most of us," as one of the blurbs says).

    Now, Mauboussin doesn't argue that one can make an exact science out of this attempt to disentangle the relative contributions of luck and skill, but he does provide some tools for properly framing the discussion and for at least making the attempt to do so. The author says his goal is to help readers make better decisions than those completely in the dark. I agree with him that this is an important exercise. At least in the business world, it seems like on a daily basis one encounters muddled thinking when it comes to discussing the success or failure of businesses and individuals. And that's despite excellent work from researchers such as Jerker Denrell and Phil Rosenzweig, who dismantled much of the pseudoscience endemic to popular explanations of business success.

    Now, I'll just share a few of my favorite takeaways:

    * Which information to focus on when making statistical predictions: Mauboussin applies Kahneman and Tversky's ideas of base rates (prior information) and specific evidence to skill and luck. In realms where skill is dominant, use specific information (you know Usain Bolt is the fastest guy so you predict he wins the race). In realms where luck dominates, use base rates (just because a mutual fund manager beat the market on a one-year basis doesn't necessarily tell you she will outperform next year).
    * Let's relax with the aphorisms: many people react to the notion of luck with comments like "you make your own luck," etc. These are really just word games. If you work hard and put yourself in a greater position to succeed, that's arguably not luck but rather skill (e.g., "skill" by improving your odds).
    * Process versus outcome: when luck exerts a large influence, it is better to focus on the individual's process, not the short-term results. If skill exerts a large influence, you're likely to see a strong link between cause and effect, process and outcome. Similarly, the greater the influence of luck, the larger the sample size you need to make any sensible conclusions. Can we please make knowledge of that fact a requirement for high school graduation?!
    * Paradox of skill: Defensive readers take note (at first I was a little offended by all the luck talk!). As skill improves, the variance of skill gets smaller, which paradoxically increases the influence of luck on outcomes. Mauboussin offers examples of this from business, investing, and sports, but I particularly liked the example he borrowed from Gould regarding Ted Williams' .406 season.
    * Methods for parsing the relative contribution of skill and luck: there's definitely some art involved here but I think the tools here should be more widely used in various fields. The methods presented include a subjective analysis (using a few key questions), simulations, and true score theory.
    * Social influence: the success of many songs, movies, and books is contingent to some extent on social interactions, which means that one person's propensity to purchase an item is dependent on external factors (e.g., his social group or the popular media). This positive feedback amplifies success for the luckiest and vice-versa. Here, the author nicely ties in Watts' fascinating work on social influence (Everything Is Obvious) to the skill/luck discussion.
    * Identifying and applying useful statistics: use a statistic that is both persistent - you can expect something to recur -- and predictive - it leads to the objective you seek. The test for persistence relates to the skill/luck discussion - skill is the driving force for statistics that are more persistent, or reliable, and vice-versa. In terms of prediction, we can simplistically think of field goal percentage in basketball, whereby a better percentage translates into your goal of scoring more points on offense. The author presents some interesting findings on a variety of statistics in different fields: in baseball, on-base percentage is more useful than batting average; in business, the two most popular stats, earnings per share and sales, provide mixed usefulness - earnings per share is less persistent than sales but it is more predictive of a corporation's goal, to deliver returns to shareholders; and in investing, the author was unable to proclaim "useful" some statistics commonly relied upon to choose future outperformers, such as past performance or expense ratio. He does however find promising a statistic known as active share.
    * Managing luck: includes techniques for diluting the skill of an opponent if you are disadvantaged, and the recommendation to utilize small controlled experiments to better understand perceived randomness. And since we are in the realm of randomness, the author is careful to cite Taleb's crucial advice to know our limits of what can be known, particularly surrounding events with incomputable probabilities and massive consequences.
    * Improving guesswork when skill and luck are involved: includes a long list of recommendations, including "always consider a null hypothesis," "assess sample size, significance, and swans," "make use of counterfactuals," and "develop useful statistics."

    See all 54 customer reviews...

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    Minggu, 07 Maret 2010

    [J403.Ebook] Free Ebook Pop Painting: Inspiration and Techniques from the Pop Surrealism Art Phenomenon, by Camilla d'Errico

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    Pop Painting: Inspiration and Techniques from the Pop Surrealism Art Phenomenon, by Camilla d'Errico

    A unique behind-the-scenes guide to the painting process of one of the most popular artists working in the growing, underground art scene of Pop Surrealism.

    Get ready for a behind-the-scenes look at the painting tools, methods, and inspirations of one of the top artists working in the growing field of Pop Surrealism. For the first time, beloved best-selling author and artist Camilla d’Errico pulls back the curtain to give you exclusive insights on topics from the paints and brushes she uses and her ideal studio setup, to the dreams, notions, and pop culture icons that fuel the creation of her hauntingly beautiful Pop Surrealist paintings.

    With step-by-step examples covering major subject areas such as humans, animals, melting effects, and twisting reality (essential for Pop Surrealism!), Pop Painting gives you the sensation of sitting by Camilla’s side as she takes her paintings from idea to finished work. This front row seat reveals how a leading artist dreams, paints, and creates a successful body of work. For fans of Camilla and the underground art scene, aspiring artists looking to express their ideals in paint, and experienced artists wanting to incorporate the Pop Surrealist style into their work, Pop Painting is a one-of-a-kind, must-have guide.

    • Sales Rank: #96319 in Books
    • Published on: 2016-01-05
    • Released on: 2016-01-05
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.01" h x .66" w x 8.59" l, 2.10 pounds
    • Binding: Paperback
    • 248 pages

    Review
    "An essential guide for artists and anyone interested in contemporary art."
    —HENRY CHAMBERLAIN, Comics Grinder

    "Camilla d’Errico’s vibrant personality and beautiful spirit overflows into her wonderfully unique and emotionally powerful art. In Pop Painting, a bright and insightful look into Camilla’s artistic mind, she generously shares her heartand creativity with the world, and inspires and encourages with every colorful page."
    —BRANDI MILNE, Surrealist painter

    "Pop Painting is a lovely guideto Camilla’s process."
    —AMY SOL, visual artist

    About the Author
    Camilla d’Errico has gained wide acclaim for her illustrative work, and has been nominated for the Joe Shuster Award and the Will Eisner Award. She has worked with Dark Horse Comics, Image Comics, Hasbro, Disney, Sanrio, and Neil Gaiman, and created her own cult-sensation properties Tanpopo and Helmetgirls. She is also well known for her melting rainbow, big-eyed girl oil paintings, which have made her a hit in the international Pop Surrealism movement. Visit her at camilladerrico.com.

    Excerpt. © Reprinted by permission. All rights reserved.
    Pop Surrealism: What Is It?
    Art movements are created in hindsight—we reflect on what happened and that’s how we are able to label and identify them. For those artists like myself, Mark Ryden, Audrey Kawasaki, James Jean, Camille Rose Garcia, and others, working within the movement, creating art before there was even a label, we didn’t pattern our art after something that we saw, but rather created it on the precipice of defining the style, giving the movement its foundation. My fellow Pop Surrealists and I actively created the art without being consciously aware of what we had to do in order to be Pop Surrealists. 
    People ask me whether I like being labeled as a Pop Surrealist, whether I like being defined in such a way. I don’t mind it at all, because I don’t limit myself to it. I create art for myself; whether or not it fits within the confines of the definition of Pop Surrealism is up for interpretation. However, I believe that artists within the movement dictate what Pop Surrealism is, simply by breaking boundaries and continuously creating new and diverse art.

    Most helpful customer reviews

    10 of 11 people found the following review helpful.
    Insightful book on painting and Camilla's process
    By Parka
    [[VIDEOID:8576c2dfd0ad7d7534b0d74e15ac5d9f]]Pop Painting is a really insightful guide that goes behind the scenes to show you the painting process of Camilla d'Errico, one of the better known artists in the world of Pop Surrealism art. I've seen her artwork online quite often, and in other artbooks.

    I've always thought that Pop Surrealism is similar to Lowbrow but Camilla actually defines it a bit differently, saying that Pop Surrealism "has brighter, more whimsical, and more playful nature". This is actually an art movement that baffles me. But I do appreciate the artists who paint in this style because it adds variety to art in general, and that's a good thing.

    There is a lot of information in this 238-page paperback. First half of the book is Camilla talking about her inspiration and workflow, things like where she finds inspiration, thinking as a painter, the materials that she uses, and also subject matter. There are also lots of techniques being discussed.

    Second half of the book are step-by-step examples from her paintings. There are 19 paintings featured where she demonstrates and explains her process and techniques. Each painting actually focuses on a specific area, for example, a painting could be a portrait, but that example might talk specifically about drawing the hair perhaps, and in another paintings, it could be about eyes, or lips or other things. The painting demonstrations are split into subject matter namely: humans, animals, melting effects and twisting reality.

    I'll recommend this to fans of Camilla d'Errico and Pop Surrealism. Camilla is very generous with sharing her knowledge to benefit other others. Highly recommended.

    8 of 9 people found the following review helpful.
    Not only does this book showcase her beautiful work, it gives step by step instructions on ...
    By Amazon Customer
    Thank you Camilla! It is so rare to have an artist (especially a favorite) be so open about their process. Not only does this book showcase her beautiful work, it gives step by step instructions on her technique and suggestions on how to make the work your own. I am a self-taught artist so I have read TONS of books on painting/drawing and I absolutely love this book. The book is well written, and I knew it was a great choice when I opened it and saw paintings by some of my other favorite artists. Although my style is much different than Camilla's, I have learned many things that I haven't seen in other "how-to" books. This is the first review I've ever written, and I'm thrilled with this purchase!

    6 of 6 people found the following review helpful.
    Fun and informative
    By Paige
    The quality of this book is great, and the artwork inside is beautiful and reproduced very well. In the first section of the book (the first ten chapters or so), Camilla d'Errico talks about what pop surrealism is, what inspires her, how she handles creative blocks, finding a style, composition, complacency, colors and emotions, the tools she uses, and one of her favorite techniques, blending. None of it is super in depth but she does have some good tips I'd never heard before and it's always interesting to hear an artist talk about their work.

    The second part of the book is the step-by-step tutorials. I did not try these (I wanted to get the Holbein Duo paints she talks about) but I did take a look at them. I was pleasantly surprised to see that they are more thorough than other step-by-step tutorials in art books I have. Of course, they do assume you already have some level of drawing skill. This fact should be understood when looking into almost any painting "how to" book--after all, many schools won't let you take even an intro painting until you've taken at least a semester and sometimes a year of drawing first. Nonetheless I feel like this bears pointing out since sometimes reviews on art technique books reveal that the reviewer thought the book would somehow magically make them great artists: if you don't have some drawing skill, you will still able to put her techniques (shadowing, definition, texture, color mixing) into practice, but if you have never drawn anything or do not have any aptitude for it, your pieces probably will not look polished like d'Errico's work (I'm sure they would have a charm all their own though--in fact sometimes I prefer art by "non-artists"). Also, there's no substitute for practice. That said, the tutorials are informative, helpful, and thorough (she tells you what kind of brush she's using, how she's shading, where she's adding colors to complement different elements, etc.--things that make a painting look great that you might not think about automatically).

    All in all I think this is a really fun book to look through and I am excited to try out some of her tutorials. I spend a lot of times looking at art books and I think this one is worthwhile.

    See all 40 customer reviews...

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    Rabu, 03 Maret 2010

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    • Published on: 2006-11-09
    • Binding: Paperback

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