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A New York Times Best Seller!
A new trade paperback edition of one of the most important and critically acclaimed Batman adventures ever, written by Frank Miller, author of THE DARK KNIGHT RETURNS!
In 1986, Frank Miller and David Mazzucchelli produced this groundbreaking reinterpretation of the origin of Batman — who he is and how he came to be.
Written shortly after THE DARK KNIGHT RETURNS, Miller's dystopian fable of Batman's final days, Year One set the stage for a new vision of a legendary character.
This edition includes the complete graphic novel, a new introduction by writer Frank Miller and a new illustrated afterword by artist David Mazzucchelli. Completing this collection are over 40 pages of never-before-seen developmental material such as character and layout sketches, sample script pages, sketches, and more that pro-vide a glimpse into the making of this contemporary classic.
This volume collects Batman #404-407.
- Sales Rank: #5003 in Books
- Brand: DC Comics
- Model: 1764289
- Published on: 2007-01-10
- Released on: 2007-01-10
- Format: Deluxe Edition
- Original language: English
- Number of items: 1
- Dimensions: 10.20" h x .30" w x 6.70" l, .60 pounds
- Binding: Paperback
- 136 pages
Amazon.com Review
Whether you grew up reading Batman comics, watched the campy television show, or eagerly await each new movie, this is the book for you. A retelling of the events that led to Bruce Wayne's becoming Batman, this book combines Frank Miller's tight film-noir writing with David Mazucchelli's solid artwork.
From School Library Journal
Grade 4 Up–In the late 1980s, DC Comics revamped many superheroes but realized that Batman should remain true to his 1939 history. According to the introduction, the editors also decided that the public needed to know more about Batman's early life as a vigilante, and Miller and Mazzucchelli came together to produce Batman: Year One. Originally released in 1988 in four parts, the stories have been combined into one book. Opening with the arrival of Lieutenant James Gordon in Gotham's police force, the story goes on to inform readers about the level of corruption permeating the force. They also witness Bruce Wayne's first encounter with the prostitute named Selina, who will become Catwoman. Wayne speaks to his dead father, asking for guidance, and is answered with a bat on the windowsill, and Batman is born. The remaining chapters highlight Gordon's continuing difficulties with the corrupt police force, Batman's early difficulties in protecting and using his arsenal of weapons, and the first villains he chooses to pursue. At the end of the book, readers are treated to some background on Mazzucchelli's art, the production of Year One, and details on Richmond Lewis's coloring techniques. Both beginning and devoted Batman fans will enjoy this edition.–Sarah Krygier, Solano County Library, Fairfield, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"If there is one book that deserves mention in the same breath as Watchmen or The Dark Knight Returns, it's Batman: Year One."—Miami Herald
"This is a story no true Batman fan should be able to resist."—School Library Journal
Most helpful customer reviews
0 of 0 people found the following review helpful.
Year One effectively justifies Batman with a story about Gordan
By Travis Trombley
The year 1986 saw the rise of two of superherodom’s most critically acclaimed graphic novels: Alan Moore’s Watchmen and Frank Miller’s dystopian Dark Knight Returns. After Miller’s success with DKR, a stark depiction of Batman’s future, DC Comics charged Miller with a revamping of Batman’s origin in 1987, 48 years after Bob Kane and Bill Finger’s original take on the character. In his Introduction to the reboot, Dennis O’Neil, one of Batman’s premier writers in the 70’s, said that the retelling of the origin story was not about changing the story, but about modernizing and improving it: “It could be given depth, complexity, a wider context. Details could be added to give it focus and credibility” (O’Neil, 1). That was a heavy order for a medium considered childish fantasy, so did 'Year One' deliver?
In short - yup. Successfully meeting all of O’Neil’s criteria, Miller’s Batman: Year One, beautifully illustrated by David Mazzucchelli and colored by Richmond Lewis, has become the definitive Batman origin story. Not simply an explanation of how a man can dress up like a bat and effectively combat rampant crime, though such elements are included, Year One is more about making plausible WHY a man would need to dress up like a bat and fight crime, and how Gotham City would respond.
Like Watchmen and DKR before it, Year One ascends from children’s entertainment to something closer to literature. Though relatively brief, the story is complex (watch Gotham's #1 cop still come up short, justifying the extreme measures of Batman) and dramatic (two characters who endure trauma to ultimately adapt their problem solving strategies while maintaining moral rigor); if it did not make the story of Batman realistic, it made it mature and believable. This book is a must-read for all Batman or superhero fans and a great read for anyone at least marginally interested in the genre.
0 of 0 people found the following review helpful.
Perfect book for new readers -- to Batman, or to comics in general!
By ThomasNassiff
This collection is a great introduction not just to the character of Batman, but comic books in general. If you are a brand-new reader, and you're looking for either your first Batman book or your first book overall, this is an excellent choice. 'Batman: Year One' is the origin story as you already know it -- Bruce Wayne's parents are killed when he's a young boy, he leaves Gotham for a while and comes back ready to fight crime.
Frank Miller's telling of this tale shines in several lights. He's known for drawn-out character monologues, so you get plenty of frames with Batman or Bruce Wayne thinking to himself. This gives a great insight into the psychology of Batman and Wayne, who almost start to cement themselves as semi-individual characters -- you'll definitely pick up on this if you progress from here into other recommended reading such as 'The Man Who Laughs,' 'The Long Halloween,' 'Dark Victory' and more. The psychology behind Batman's early actions reveal a hero who isn't sure of himself, a detective whose prime mission is to investigate why he wants to be the Batman and what that really means.
We also get fully roped into Jim Gordon's world very early on. Gordon actually leads the story off, and we spend almost as much time with him as we do with Batman. He's new to Gotham, like Batman, and he's trying to make a name for himself within the crooked Gotham City Police Department. You'll read the very beginnings of Gordan's relationship with Batman, which obviously lays the groundwork for much more collaboration between the two characters.
I will note that I purchased the soft-cover trade paperback version of this book, with the red and black cover. The pages are glossy but not annoyingly so; if you're looking for the newspaper-type of print, you likely won't find that in any new printing anyway.
Art-wise, 'Year One' shows a very gritty and seedy Gotham, and Batman spends a lot of his time investigating the worst parts of town (where we're introduced to an early Catwoman too). The colors are dark and subtle, but it all works within Miller's moody writing; put it all together and you have a book that, like I wrote earlier, is simply perfect for new readers.
I'd highly recommend this as a gift as well, for anyone who hasn't read Batman's origin story in the comics. If you're a fan of the Christopher Nolan trilogy, definitely pick this up. I would tangentially recommend purchasing 'The Man Who Laughs' to get an early look at The Joker, then moving from there into 'The Long Halloween' and 'Dark Victory,' which have some more associated reading with them. These books will provide a well-rounded and extremely enjoyable look into the beginnings of Batman's career.
1 of 1 people found the following review helpful.
One of the best ways into modern Batman comics.
By C. D. Varn
Miller's "The Dark Knight Returns" and this make up two of the most important story arcs and settings of tone for Batman. Both the Burton and Nolan run of films seem to have some tonal relationship to Miller's work on Batman. "Batman: Year One" goes back to the origins of Batman, without significantly changing those origins, but with Gotham City being more gritty and corrupt than before. Using Gordon as a primary protagonist in addition to Bruce Wayne, one gets a sense of the desperation of the Gotham.
While it is not as bleak as Dark Knight Returns, Year One does develop the noir elements of Batman and builds up his relationship in this noir context, Mazzucchelli's work is workman-like but furthers the genre feel of the book and conveys both emotions and grit. Wayne is shown as weaker and Gordon as more corruptible, but both develop into their current identities in this comic. One of the best ways into modern Batman comics.
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